Portuguese diamond

There’s something so exciting about these incredibly large and perfect stones. Sometimes they have well-documented histories and we know where they came from and who owned them and when. But others have a past that’s not as well-known, and that only adds to the romance and mystique surrounding them.

One such diamond is called the Portuguese Diamond and is a 127-carat, cushion-cut diamond, shaped in an octagonal emerald shape. It’s nearly flawless. While it’s called the Portuguese Diamond, with a story that it was mined in Brazil and became part of the Portuguese Crown Jewels, there’s really no true documentation that says definitively that that’s where the diamond was mined. Must of the diamond’s history is pure legend and conjecture. One can only imagine who wore this incredible stone!

One part of the diamond's history that is well-documented is that in February 1928 Peggy Hopkins Joyce traded a $350,000 pearl necklace for the diamond and $23,000 in cash. According to New York newspaper accounts, it was mounted on a diamond-studded platinum choker to be worn close around the throat (probably the same necklace described above). Miss Joyce performed in the Ziegfeld Follies, and had six husbands, at least five of whom were wealthy. She was said to be almost as fond of jewels as of men. Sometime prior to 1946 Miss Joyce placed the diamond on consignment to the group of jewelers mentioned above, in an unsuccessful attempt to sell it.

Harry Winston acquired the Portuguese Diamond from Miss Joyce in 1951, and for the next several years it traveled the country as part of his "Court of Jewels" exhibition. In 1957, Winston sold the diamond to an international industrialist, who then traded it back in 1962. In 1963, the Smithsonian acquired the Portuguese Diamond from Mr. Winston in exchange for 2,400 carats of small diamonds.

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Spanish Inquisition Necklace

One doesn’t normally associate beautiful jewelry with the time of the Spanish Inquisition. But in the Smithsonian Institution’s collection of gems, there is an exquisite necklace of diamonds and emeralds.

It is a spectacular double row of diamonds and emeralds ending in a chandelier of emeralds. There is unfortunately very little information about the provenance of this necklace. The large diamonds and Columbian emeralds were most likely cut in India in the 17^th century. This would make them one of the earliest examples of cut gemstones in the Smithsonian’s Collection. There are really only legends surrounding this necklace. They indicate that it was worn at times by Spanish and French royalty. In the early 20^th century, it was purchased by the Maharajah of Indore, whose son sold the necklace in 1947 to Harry Winston. Winston subsequently sold the necklace to Mrs. Cora Hubbard Williams of Pittsburgh. She bequeathed it to the Smithsonian in 1972.

Emeralds are a form of crystal known as beryls. Beryls are normally clear crystals, but when infused with chromium or vanadium, they attain various gradations of green. The purest green are the rarest emeralds and many people actually prefer an emerald that has a blue-green tint.

Before the 16^th century, the only known emerald deposits were in Cleopatra’s Egyptian mines. But after emeralds were discovered in Columbia, those became the “gold standard” in emeralds. Columbian emeralds have been discovered by archaeologists among artifacts of such tribes as the Inca, Maya, Aztec, Toltec and the lesser-known Chibcha Indians. Emeralds are among the rarest of gemstones and can be more expensive per carat than even the finest diamonds! They are a hard mineral, with a Moh’s hardness scale of 7 or 8 (compared to a diamond’s 10). While most emeralds are found in Africa, Russia and Africa, there have been discoveries of emerald deposits in North Carolina!

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Blue Heart Diamond

There is a spectacular diamond in the Smithsonian Collection called the Blue Heart Diamond. Fans of the movie Titanic might think the “Heart of the Ocean Diamond” was based on this stone, and it may have been! However, this diamond hasn’t been cast in the ocean, but is safe and sound at the Smithsonian!

It has also been called the Eugenie Blue Diamond, although it’s uncertain that the Empress Eugenie ever owned this particular stone. It was cut in Paris between 1909 and 1910, but the stone’s origin – Africa or India – is unclear.

It is an enormous heart-shaped, blue diamond weighing 30.82 carats. Its current setting is in a platinum ring, surrounded by white diamonds. It changed hands among famous jewelers – such as Cartier and Van Cleef & Arpels - and owners until it was bought by Harry Winston in 1959 who mounted the diamond in its current ring setting. Winston sold the ring to Marjorie Merriweather Post. Mrs. Post donated the ring to the Smithsonian and it remains there with other famous blue diamonds, including the Hope Diamond and the Heart of Eternity Diamond.

These famous blue diamonds have recently gone through a grading and examination process, to classify their colors and to determine the source of the color. The Hope Diamond is classified as Fancy Deep Grayish-Blue. The Heart of Eternity has been classified as a Fancy Vivid Blue. The Blue Heart Diamond has not yet been classified, but some experts categorize it as either Fancy Vivid Blue or Fancy Deep Blue. Blue diamonds are of particular interest to scientists not only because of the color and the impurities that create it, but because blue diamonds also have an electric conductive property that makes them unique among clear and other colored diamonds.

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Napoleon Diamond Necklace

One of the most spectacular all-diamond pieces of jewelry in the Smithsonian Insitution is the Napoleon necklace. Thought to have originally been owned by Catherine the Great of Russia, it was presented by the Emperor Napoleon of France to his second wife, Marie-Louise of Austria on the birth of their son in 1811. The silver and gold set necklace contains172 diamonds weighing 275 carats - 28 oval and cushion-cut diamonds, dangling 19 briolette-cut oval and pear shaped diamonds and accented by small, round diamonds and diamond set motifs in a silver and gold setting. The diamonds are cut in "old mine" style, the precursor to the modern brilliant cut, and have a high degree of fire (flashes of color as the stone moves in light), but less brilliance due to less light refraction through the top of the stone.

The necklace has an estimated total gem weight of 275 carats, and the largest single diamond on it weighs approximately 10 carats. When Marie-Louise died in 1847, the necklace was given to her sister-in-law, Archduchess Sophie of Austria, who removed two stones to shorten the necklace. Earrings were made with the two removed stones, the whereabouts of which are unknown.

In 1872, the necklace was bequeathed to the Archduchess' son, Archduke Karl Ludwig of Austria. In 1948, Archduke Ludwig's grandson, Prince Franz Joseph of Liechtenstein, sold the necklace to a French collector who then sold it to Harry Winston in 1960. Marjorie Merriweather Post obtained the necklace from Winston and donated it to the Smithsonian Institution in 1962.

It’s difficult to value a piece like this in today’s market. However, in 1993, the auction house Christie’s in Geneva sold another necklace that Napoleon had given to Marie-Louise that was composed of rubies and diamonds. This necklace sold for $13 million.

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Marie Louis Diadem

There were a few benefits to marrying the Emperor Napoleon, if you loved jewelry, that is! The Marie-Louise diadem, now part of the Smithsonian Collection, was a wedding gift from Napoleon I to his second wife, Empress Marie-Louise in 1810. The diadem was originally part of a set that also included a necklace, comb, belt buckle, and earrings, all made of emeralds and diamonds set in silver and gold. They were all made by French Jeweler Etienne Nitot et Fils of Paris.

In the original diadem, there were 22 large and 57 small emeralds, along with 1002 brilliant-cut and 66 rose-cut diamonds. The central emerald weighed 12 carats. After the fall of the Emperor, Marie-Louise fled to Vienna and took her personal jewelry with her, including the diadem and other pieces that were made as part of a set, including a necklace, a pair of earrings and a comb.

Empress Marie-Louise left the diadem to her Hapsburg aunt, Archduchess Elise. Archduke Karl Stefan Hapsburg of Sweden, a descendent of the Archduchess sold the set to Van Cleef & Arpels in 1953. Between May 1954 and June 1956, the emeralds were removed and sold individually in pieces of jewelry as emeralds "from the historic Napoleon Tiara."

Between 1956 and 1962, Van Cleef & Arpels mounted turquoise cabochons into the diadem. In 1962, the diadem was displayed in the Louvre in Paris with the necklace, earrings, and comb in an exhibit about Empress Marie-Louise. In 1971, Marjorie Merriweather Post, heiress to the Post cereal fortune, purchased the diadem for the Smithsonian Institution. There are 1,006 mine-cut diamonds weighing a total of 700 carats and 79 Persian turquoise stones weighing a total of 540 carats. In one respect, it’s a shame that the original piece was dismantled to sell off the emeralds. Yet the diadem, reset with the turquoise cabochons is equally beautiful and made even more distinctive with the use of the less valuable turquoise.

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Marie Antoinette Earrings

There’s no more fascinating subject in history than the doomed French Queen Marie Antoinette. Much maligned by history (she never said “Let them eat cake,” in response to the people’s need for bread), she was an unwilling part of the one of the greatest revolutions in history. And met an untimely end at the guillotine in 1793. While she loved jewelry, and possessed many magnificent jewels, she often preferred simple muslin gowns and very little jewelry. Many of the portraits of her by Elisabeth Vigee-Lebrun show her dressed just like that.

Two large, pear-shaped diamond earrings, weighing 14.25 and 20.34 carats respectively, are part of the Smithsonian Institution’s collection. The diamonds once were supposedly set in earrings that belonged to Marie Antoinette and some sources say they were her favorite pieces of jewelry and she wore them constantly. They were taken from her during an attempt to flee France as the Revolution dawned and the position of the Royals became dangerous.

The diamonds were later acquired by the Grand Duchess Tatiana Yousupoff of Russia. When jeweler Pierre Cartier puchased the diamond earrings in 1928, their authenticity was attested to in an affidavit by Russian Princess Zenaide Yousupoff and her son, Prince Felix Yousupoff, stating that they originally belonged to Queen Marie-Antoinette and have never been reset in the one hundred years that they were in the family. Marjorie Merriweather Post acquired the earrings from Pierre Cartier in October 1928. Harry Winston reset the large diamonds in platinum replicas of the original silver settings in 1959. Cartier, Inc. designed the triangular tops. In November 1964, Mrs. Post's daughter, Mrs. Eleanor Barzin, donated the earrings, along with the original setting to the Smithsonian Institution. The diamonds are originally from India or Brazil, the only significant sources of diamonds in the eighteenth century.

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Fire

The term fire is commonly used to describe a diamond, but what does it refer to? The ancient Greeks thought that fire in a diamond symbolized the eternal flame of love. Fire in a diamond is the dispersed light that appears as rainbow-like flashes of color. You can usually observe a diamond’s fire in places like restaurants or clubs where the light is lower. The amount of fire depends on how the stone is cut and faceted. Older cut diamonds appear as if they have more fire because they’re cut with steep crown angles and flatter tables of the facets.

Other characteristics that are used to evaluate a diamond include brilliance and scintillation. Brilliance requires both brightness and contrast in the diamond and refers to how light is reflected back to the viewer, or return-of-light in the diamond trade. To many jewelers, it’s the most important quality in a diamond, and is what people react to when they exclaim over a diamond.

Diamonds also have a quality called scintillation. Scintillation refers to how light disperses from the stone when it’s moved. While brilliance is the quality of dispersed light when the diamond is in a stationary position, scintillation is observed when the diamond moves in the light. They’re closely related qualities, while fire is a different attribute.

The way a diamond is cut will determine how much fire or brilliance it has, and often one may have to make a trade-off for one quality or another. Which way is the best way to go? For the most part, most diamonds are cut more for brilliance and scintillation rather than for fire. When shopping for a diamond remember that it’s in investment, yes. But what really matters is whether you love it. Qualities like brilliance vs. fire really do pale in comparison to that one critical element! Read More...

Fluorescence

We’re all familiar with the 4Cs of diamonds – cut, color, clarity and carat weight. But diamonds also possess a quality called fluorescence that’s part of the evaluation and assessment of a diamond. It’s actually called photo-luminescence and it’s caused by small amounts of the chemical boron in the diamond. It’s activated by UV light.

It’s graded by how much blue there is in the diamond – None, Faint, Medium, Medium blue, Strong, Strong Blue and Intense Blue. At one time, this was a highly-prized quality in a diamond and the demand for a blue-white diamond was high. The blue indicated the fluorescence of the diamond, while white was a reference to the overall color of the body of the stone. This has decreased over time as consumer preference shifted towards the more colorless stones.

The tide of public preference may be shifting back to the blue-white diamond, but you want to be sure, when buying a diamond, that you examine it under a variety of conditions, such as sunlight and fluorescent light, as well as a jeweler’s black light. Some diamonds with a fluorescent quality can become hazy in daylight or even glow out on the dance floor!

Colorless diamonds have become increasingly rare and expensive. The color grades of D (flawless) to G are going to be hard to come by at a reasonable price. If you’re buying a diamond with a color grade of H or higher, some fluorescence may actually be a good attribute for it and increase your stone’s value and attractiveness, as the blue fluorescence can offset any other gradations in the stone, such as a yellowish tone.

Although some diamonds have a yellow or orange fluorescence, most reputable jewelers will recommend against a diamond with this quality, unless you’re buying a colored diamond in the same hue, as a similar fluorescence will enhance and intensify that color. Read More...